The Presence of Love and Self-Sacrifice Essay Example for Free

The Presence of extol and Self-Sacrifice Essay neck is to the highest degree likely the one motif that burn down be present in e precisething. Hi narrative is full of travel empires and wars waged alone caused by be whapdor what the people themselves believe as something called love. Literature is a nonher arm of knowledge that does not lonesome(prenominal) record all the feelings that the great and famous convey for their love ones, that it is also the proof of how people think when they ar in love. Shakespeares plays and sonnets all serve as an extensive testament to how intense love can make a person feel and be. From the striking to the comic and from the ridiculous illusions to the harsh realities, love, no matter how cliche it may sound, really makes the world go around. This cliche may be applied to the two paroles that provide be compared in this paper de Chretien Troyes Lancelot The cavalry of the Cart and George MacDonalds Phantastes. De Troyes book can o nly be the type that fantasy and adventures can be made of in its true chivalric glory. Lancelot has always been a familiar and a favourite knight, most especially since he won dame Guineveres love and admiration considering she is already the tabby Guinevere of the tabby Arthur.Lancelot The cavalry of the Cart is really a sooner absurd account of how a knight would go into great lengths of trying to rescue his damsel in distress. In the modern context that we bring on today, much(prenominal) narration, plot, setting, and language would have been considered as romantic by the women and preposterous by the men. However, there is really something so endearing about a story wherein love and egotism-sacrifice play with the characters at their purest sense. De Troyes book begins in Queen Guineveres abduction by a mysterious knight.The knights of King Arthur, Lancelot and Gawain, soon chase after the abductor to rescue Queen Guinevere. The book gives a detailed account of how Lanc elot and Gawain rescue the Queen, but to a greater extent than that, it is a narration of how Lancelot will endure everything practiced to win back the Queen. Lancelot, at the start of his journey, is identified as the sawbuck of the Cart (de Troyes vv. 539-982). He has somehow managed to get himself-importance in a complicated situation that makes him digest his rally (horse) that he is forced to walk whilst wearing his armour and his sword.It is in this state that he meets a dominate who tells him that he will see the Queen if he will ride the cart that the Dwarf is driving. It would not have been a problem if Lancelot is in the modern beats, but back then, riding a cart is such a disgrace since it is only the criminals who have the privilege to do so. Only criminals are rendered low enough to ride such a disgraceful thing. This scene is very important as this will make Lancelot be known as The gymnastic horse of the Cart. to a greater extentover, this will cause the Queen s cold attitude that she will show Lancelot when he finally rescues her.Considering the great lengths that Lancelot had to go through just to get to the Queen, she politic treated him coldly. This scene is also one of the early coup doeils that the reader will be able to see tutelageing Lancelot and his great love for the Queen Guinevere The knight hesitated only for a couple of travel before getting in. Yet, it was unlucky for him that he shrank from the disgrace, and did not jump in at once for he will later rue his delay. simply common sense, which is inconsistent with loves dictates, bids him refrain from getting in, warning him and way him to do and undertake nothing for which he may reap shame and disgrace.Reason, which dares thus speak to him, reaches only his lips, but not his heart but love is enclosed within his heart, bidding him and urging him to mount at once upon the cart. So he jumps in, since love will have it so, feeling no concern about the shame, since he is prompted by loves commands. (de Troyes Vv. 247-398. ) There is an endless narration of Lancelots obstacles. The first that is of importance is the temptation he successfully surpasses as a beautiful lady seduces him, asking that he makes love to her in exchange for a nights rest and lodging.The cavalry of the Cart encounters similar situations wherein he is tried and true and tempted, but he always emerges victorious in the end. Adventures that soon followed allow him to display and show his skills as a Knight and more importantly, as an honourable and strong Knight. He frees the people of Logres from the imprisonment of the domain of Gorre where the Queen Guinevere is held captive. Nevertheless, purge if Lancelot has always emerged victorious after every obstacle, it is the crossing of the Sword Bridge which proves his mark and encompassing love to Queen GuinevereHe is going to support himself with his bare hands and feet upon the sword, which was sharper than a scythe, for h e had not kept on his feet either sole or upper or hose. But he felt no fear of wounds upon his hands or feet he preferred to maim himself rather than to fall from the bridge and be plunged in the water from which he could never escape. In accordance with this determination, he passes over with great pain and agony, being wounded in the hands, knees, and feet. But even this suffering is sugariness to him for Love, who conducts and leads him on, assuages and relieves the pain.(De Troyes Vv. 3021-3194) Lancelot safely crosses the bridge and is greeted warmly by the kind-hearted King of Gorre and the cold-blooded Maleagant (the Kings son) who is responsible for imprisoning Queen Guinevere. Maleagant challenges Lancelot into a duel, and as all noble knights should, he wins the fight. Maleagant is always plotting and plotting, trying to get through the Knight of the Cart as he accumulates such a hatred for the Knight. The Queen and Lancelot finally unite (literally and figuratively speak ing) when a situation both(prenominal) puts them into thinking that the another(prenominal) person is dead.The adventure that Lancelot undertakes is so rigorous, challenging, and battle-laden that it is even beseeming to make it into a dramatic and action-filled movie. The Knight of the Cart does not only have to endure legion(predicate) temptations from very beautiful ladies and magical beings, but he is also faced with other knights who want to withdraw those beautiful ladies or knights who just want to engage in a battle or a swordfight just for the sake of bathing in pure masculine glory.The Great Knight is also tried in terms of intellect and emotions as he goes on his adventuresdeciding the fates of people, plotting military schemes, and making the most of battle situationsand most especially, as his reputation is tarnished as he is ridiculed and mocked as The Knight of the Cart. Indeed, love plays such a significant part in the novel as it is solely the reason why Lance lot would go to such great extent to rescue his lady (even if technically, she is not his lady). Love has always been such a great driving force of humans that it is subjected to great debates and studies and such.Teenagers commit suicide because of love, and oneness mothers convey single mothers also because of love. until now big companies have made it a profitable excuse to market love. Love in all its beauty has been defined by a lot of people, from the downright romantic to the perfectly realistic and pessimistic. In De Troyes book, the author refrained from making Lancelots love into such an large situation that it would perilously border on being ridiculous. Instead, De Troyes narrated the whole plot into a magical and fantastical adventure of how a man would endlessly search for his woman.The knight selflessly sacrificed literally everything in his power just to tick off the safety and well-being of his lady. Coupled with the love that Lancelot has been showing Queen Guinevere is the sacrifice that he has been generously with child(p) the Queen. At the fourth part of the book, Lancelot was imprisoned by Meleagant in a tower for a year. The position that he was imprisoned in a windowless and doorless tower in the first place suggests that he offended Meleagant by winning Queen Guineveres freedom by a duel.However, the people of King Arthur were unable to locate Lancelots whereabouts that when he was finally released, he was so feeble that he staggered from his weakness and balk (De Troyes Vv. 6657). The first book analyzed above shows a strong and immense love that transcended time that even the younger generations of the fast-paced modern times today are somehow enthralled and drawn to how enormous love can be and how great are the sacrifices that a person can render if he or she is in love.The next book, Phantastes, a novel by George MacDonald is a fusion of what two worlds can offerthe reality and the fantasy. MacDonalds protagonist, Anod os, wakes up one day into a different world and discovers that he has fairy blood in his veins I awoke one morning with the usual perplexity of mind which accompanies the restitution of consciousness (MacDonald 5). He goes into an adventure in the Fairy Land or the Kingdom of Phantasy as he sees the fresh Lady/Lady of the Marble and falls in love with her (Macdonald 104). He goes on a vast journey, searching for her every time as he gets broken time and time again.Anodos uses his voice and starts to sing as to inject lifetime and breathe into the Ladys stone-figure. Anodos, like the Knight of the Cart, goes into rigorous obstacles as he desperately tries to free the Lady from the curse How I got through this olive-drab part of my travels, I do not know. I do not think I was upheld by the hope that any moment the light might break in upon me for I scarcely public opinion about that. I went on with a dull endurance, varied by moments of uncontrollable sadness for more and more the conviction grew upon me that I should never see the white lady again.(MacDonald 117) I could bear it no longer. I will not be tortured to death, I cried I will meet it half-way. The life within me is yet enough to bear me up to the face of Death, and then I die unconquered. (MacDonald 119) The book is narrated in a very simple manner and in the first-person point of view as Anodos himself is the story teller. The song of Anodos is the only reason why the Lady wakes up, and yet, there are also many moments when Anodos is lost and grappling with linguistic communication and crease that no song would come out (MacDonald 104-105).However, as always, his love surpasses all and he sings the most lovely of the songs, DUMB ART THOU? O Love immortal/ More than words thy speech must be/ Childless yet the tender portal/ Of the home of melody (MacDonald 107). The lines were somehow describing how love, in all its immortality and beauty, is mute and cannot speak. Rather, love is so sacred and intense that to give it meaning, words or even a voice is to lose the magnanimity of that emotion.The novel ends in a staff vine memory as Anodos wakes up from his Fairy Land dream I found myself lying in the open air, in the early morning, before sunrise (MacDonald 174). Anodos has changed because of his adventures from the Fairy Land. He has learned to live with the emblematic teachings and values that he acquired and experienced during his dream. Most importantly, he has learned what love is and how great is its power, even if it was never meant to be his. Anodos, like the Knight of the Cart, has selflessly searched for his love just to deliver her from the curse of being a Lady of Marble.He was ridiculed by the dwarves countless of times, was frightened to death by the Ash Tree, and even went to long and strenuous journeys just to locate the White Ladys whereabouts. However, the most cruel of part is the particular that he knew that the White Lady is already betrothed to someone else and is meant to love someone else, The Red Knight Crowding about me like bees, they shouted an insect-swarm of exasperating speeches up into my face, among which the most frequently recurring wereYou shant have her you shant have her he he heShes for a better man how endocarp kiss her how hell kiss her (MacDonald 114) What is remarkable about Anodos is the way he answers the goblins nobly Well, if he is a better man, let him have her (MacDonald 114). The two books contain both the motifs of love and self-sacrifice. Did the heroes sacrifice themselves selflessly because they love the person, or did they love the person, that is why they can sacrifice themselves fully? Love, more often than not, is too complicated and ambiguous yet, it seems to be a universal language and emotion that can be understood by all.The obvious giving up of the men of both books (Andonos and Lancelot) for their ladies affection and life justifies the fact that the men love their ladies, and n o matter what happens, they will make it a point to save them. The endless obstacles of the two men with various aspects (supernatural, psychological, emotional and so forth ) prove that they will indeed go to great lengths not just to have a glimpse of the ladies magnificent beauty (as to the case of Anodos) but more importantly, to save their lives. Saving the lives could both pertain to the heroes and the damsels in distress.While the Queen Guinevere and the White Lady are both in danger because of external forces beyond their control, Andonos and Lancelot also put their lives on the line for the sake of rescuing them. Why would the two men go so far to such extremes when they could have any lady? Is it because they love the women that make them face such sedate adventures? In some sense, the men are tremendously in love with their women that to live without them is death itself. Love is almost connected with a feeling of wanting to possess and belonging.The two men wanted none of that perverted definition of the emotion. The men would be willing to give up their lives because they have to hold dear the women. It has become a rather automatic action, or in simplistic terms, it is instinct that makes them want and need to protect the women. Anodos and the Knight of the Cart do not ineluctably want the women to belong to them, and they do not necessarily want or need to possess the women. At the end of both books, the both men knew that the ladies would not and would never belong to them, and yet they did not have any anger or resentment with that decision.Lancelot knew that his Lady Guinevere belongs and will always belong to King Arthurs side as Queen Guinevere and the ruler of Camelot. Even if he knew this fact, he still loved her unconditionally and without any reservations. Certainly, as the Kings Knight and as person, he should not have done that, but that is not the case in this paper, and that is on the whole another matter. Anodos love and Lancel ots love are the same in a sense that both would go to exceptional extent just to prove their love to their respective ladies.Moreover, their love is enduring and non-complaining that it is very endearing to whoever would read the books. The difference in their love lies in the judgment that Anodos love is more crotchety and mystical that it contains an attribute of being sweetly melodic and at the same time melancholic. Anodos love is self sacrificial in a sense that it is hopeless, compared to Lancelot and the Queen, wherein they have a more reciprocated love for each other than that of the White Lady and Anodos.In addition, even if Lancelots love is forbidden (since the Queen is already married), the love is still reciprocated by his loved one and that makes his love more powerful, stronger, and more ardent than that of Adonos love for the White Lady. Nevertheless, both men loved, and that is what matters the most. The ultimate test and evidence that they hold genuine love for t heir respective loved ones is the fact that they let go of the ladies in the end. The Queen Guinevere has her King Arthur, and the White Lady has her Red Knight.The self sacrifice was not really the adventure that they experienced and the gruelling obstacles they faced. It is the moment when they went ahead with the adventure even if the lady was not theirs in the first place. It is the moment when at the end of their long and arduous adventure, they still let the lady choose her happiness, and then they let go.Works CitedDe Troyes, Chretien. Lancelot The Knight of the Cart. Trans. Burton Raffel. Yale University Yale University Press, 1997. MacDonald, George. Phantastes A Faerie trifle For Men and Women. London Smith, Elder and Co. , 1858.